The Retro Flip Down Clock is a gift of time that will keep on giving every day, every week, and every month for as long as it is in your possession. This retro looking clock offers a precision movement design that exposes its inner workings of gears and flip switches.
Retro Flip Down Clock is the Epitome of Style and Fashion
The Retro Flip Down Clock is a beautiful, high precision device housed in a solid metal frame for strength. The durable acrylic flip down numbers provided are a work of art while the inner functions of the gears add functionality. These units are also economical to use since the switches are all controlled by a single D cell battery that will last for months and months.
At a glance, it’s…
a retro-designed flip clock
a gear-operated time machine
got cool flip down action happening every 60 seconds
powered by a single D battery
Retro Flip Down Clock is a Real Eye Catcher
With a slick-looking design, this Retro Flip Down Clock will add beauty and flair to any desktop or table. Whether you use this in your home or at your office, it will surely draw the attention of those who see it and may well become a conversation starter. While the clock itself is beautiful, it is also a full-featured timepiece that will accurately tell the time all day long. The flip down feature automatically adjusts the time every 60 seconds without the need to wind or adjust the clock.
However, if you need to adjust the time, it is an easy process. To do so, all you have to do is turn the dial that’s conveniently situated on the right hand side of the clock. This means that it is also easy to adjust for Daylight Savings Time. I have also found that it is easy to use the Retro Flip Down Clock, with its reliable mechanism, to tell time no matter the time zone or country where the clock is used.
Whether you are buying this clock for yourself or as a gift for someone else, this Retro Flip Down Clock makes a lovely addition to anyone’s home or office — at any time.
I have to admit it: I don’t really ever watch things as they come on television. Save for things that I know I can’t go without when they come on like Dexter and Sons of Anarchy, I tend to let my shows run over into Hulu Plus and Netflix territory. Why? Because not only do I have a DVR and can record what I want to watch if it’s important to me, but Hulu and Netflix have given me an opportunity to either watch it the next day if I didn’t record it or explore it again via past seasons uploaded.
Be that as it may, since finding out what Netflix is, it has been bolstered up to a massive Instant Watch collection that generally showcases new things that I haven’t seen or old favorites. My favorite older cartoons are all there, ready to be perused again and introduced to my child, and some new favorites are ready if I want to kick back and relive the moments I loved.
Candice’s Current List of Netflix Offerings:
1. Sons of Anarchy — Look, I can’t say enough about this show. I’ve touted its praises on podcasts, I’ve ranted about it on Twitter and Facebook — it’s just a damned good show. You’d never know it unless you’ve actually seen it, because the commercials and trailers make it easy for the uninitiated to come to the conclusion that it’s just about a bunch of hillbilly bikers, but let me tell you: it’s way more. These are reasonable, intelligent, and cunning people, and it’s got some of the best acting I’ve seen on television in a while. Some great performances by Ron Perlman, Katey Sagal, and Charlie Hunnam really can’t be missed. Watch the first three seasons on Netflix!
2. Mythbusters — While not the whole collection of everything that Adam Savage and Jamie Hynneman have ever done, it’s a pretty good offering! These two take myths from television, movies, urban legends, and lore and actually put them to the test (they even say it in the show!) to prove or disprove. Awesome, right? Who doesn’t want to see a couple of nerds blow stuff up and high-five afterwards, right? I absolutely love this show to pieces and have even visited the actual M5 Industries studio where it’s filmed.
3. He-Man and the Masters of the Universe — Look, I’m not saying that this is your absolute end-all, be-all to animation, because it’s not. In fact, it’s some of the laziest animation you’ll ever see, but it’s damned entertaining. With a crudely laced morality tale woven into colorful animation about a guy who rides a purple “Battlecat” in his fuzzy undies, how can you not be amused? Skeletor sounds like Paul Lynde’s slightly more heterosexual cousin and everyone is having a good ol’ time acting like they don’t know Prince Adam moonlights as a vigilante do-gooder.
4. Battle Royale — There’s something about this movie that I can’t let go of. When The Hunger Games came out, the Internet went insane when it realized it was just a teen sensation-laced, stylized version of a story akin to something we’ve heard about before. In Battle Royale, a group of students are picked when their school district “wins” a lottery to take part in “Battle Royale,” a government act (The BR Act) that is meant to whittle down the population as well as be creepily entertaining to the masses. Since the filmmakers essentially did their take on Lord of the Flies, it’s interesting to see just where Battle Royale takes the idea. We learn about schoolborne cliques and romantic interests that sway decisions where it seems parts of the student body cannot handle the idea of hurting anyone — or being murdered themselves. Watching the gritty dynamic is absolutely thrilling from beginning to end — and it’s visually superb. There’s a reason that Quentin Tarantino wanted to do a remake so badly and it’s why this should be on everyone’s Instant Queue.
5. Doctor Who — I don’t know how many sci-fi fans have viewed Red Dwarf, an entertaining comedy about being marooned in space that spanned over the years in the UK. While it’s one of my favorite shows and used to be on Netflix (All eight seasons!), it has since been removed as the new season is airing this October. With that said, my second choice for sci-fi has to go to Doctor Who, and you can catch so many of the newer — and older (the program premiered in 1963) — episodes on Instant Watch right now. Following the exploits of the Doctor, a Time Lord from the planet Gallifrey who chooses companions in every iteration of himself (he changes bodies often) to go through time and space to solve the universe’s (and sometimes other universes’) major problems. Admittedly, I didn’t get into it until this current Doctor and his sexy bowties, but it’s a definite addiction that you can’t put down. Check them out and find a new source of nerd there on Netflix.
So, there you go! Maybe you’ve seen some of these and maybe you haven’t, but it seems like every week that I find new things to check out on Netflix and sometimes they throw things onto the “Recently Added” that makes me absolutely giddy. As someone who loves checking back on retro animation and television I grew up with, Netflix has become my source for all of those guilty pleasures of mine.
What are you watching on Netflix? Would you suggest it? What movies are you checking out that you only heard about when you saw them on Instant Watch? Share them with me as I love to try new things on Netflix and always want to pass around ideas!
When I was just a wee Candice, maybe about 10 or 11, VHS tapes were starting to become widespread sources of home entertainment. While I was showered in the usual Disney movies like most children were, my mother also purchased collections of animation that didn’t play on television anymore. Even as a child, I realized that this was probably because of the sensitive content in the cartoons since most of them were created during wartimes and were not the most delicately handled. As a child, I loved the historical relevance to these cartoons and I would watch them over and over and found myself fascinated with the animation style, the metaphors for what went on in those moments when the cartoons were released, and even the saturation of gender cliches.
Yes, these things stuck to me as a child.
Max & Dave Fleischer’s Superman cartoons were always held tight to my chest and I wanted to share a few of my absolute favorites with my friends here at LockerGnome. What’s even cooler? Every single one of these are public domain and so you can easily grab them off of the Internet Movie Archive and watch them whenever you want! Note: If you want the fancy, cleaned up episodes and you have Netflix, you can watch the episodes there, too.
“Introduction to Superman / The Mad Scientist”
As you’ll see, they start this episode off with an introduction to just who Superman is and, seeing as how the episodes are generally under 11 minutes each, they didn’t want to have to do this every single episode. After a bit of backstory, you realize that Metropolis is big on handing out real estate to shoddily named villains. This one is no different as he is simply stated as a “Mad Scientist” with a bird upon his shoulder and more windy staircase shots than you’d ever deem necessary. (Note: When watching these with me, Matthew Arevalo could not get over how often they wasted time on these staircase shots.) I do, however, want you to take a few moments and realize how beautifully these were animated. The color palette was intense for the era from whence it came, and the fact it was not a large studio whatsoever still has me stunned every time I watch these cartoons. This will always be one of the most beautiful cartoon series I’ve ever watched.
“The Mechanical Monsters”
This is the start of a theme within each episode and it starts off very quickly explaining Krypton, Superman, and then diving in. Usually, this starts off with showing you the possible dangerous situation, the fact that Lois Lane wants to nose her way into it, and just how quickly Clark Kent has to shift into Superman and go save her silly rear from trouble. She will endlessly annoy you if you aren’t careful and it is because of her love of getting “the scoop” and rarely about preservation of her own life that causes most of the trouble in these episodes. In this one, specifically, a “snooty waiter” (as Matthew called him) builds a series of robots that are designed to steal a disgusting amount of jewelry piled on tables in a one-roomed building. Lois points out she’s there to get a “woman’s angle” of the exhibit, but does not shrink away from smuggling herself into the back of a robot in order to find out where it goes.
I’m sure you can figure out what happens by the end of the episode, but it tickles me that, in every episode, Clark seems surprised that Lois needs saving. You would think that the second she would start mouthing off about getting her “scoop” that he’d grab her wrist and shove her gently into the phone booth, twist the lock shut, and tell her to stay put. Does he? Never. Even when she’s screaming at the top of her lungs as the robots nearly dump her out to soar through the sky to her death — he seems calm as can be. Mere seconds later, she gets lippy with the psychopath that built the “mechanical monsters” and boldly assumes she will live long enough for this man to read about the heist in the paper tomorrow.
As I was saying, it is easy for Lois to be the most annoying aspect in any of these cartoons, but that makes it almost more intriguing to me. Back in the 1940s, this was how men viewed women: mouthy, troublesome broads who needed a man to swoop in and save them because their desire for independence was all but laughable and, every time they tried, it ended in calamity. Hell, maybe I have more in common with Lois than I thought.
These are the jokes.
Not all of the villains can have cool names and costumes, and these guys prove it in this episode. Most of the time, the episodes revolved around situations that were of discussion back in the time they were released. It was WWII and, more than ever, sensitivity to certain issues like gun control in our country, building super machines to fight our international enemy, and protecting our troops were at an all-time high. Our country was so obsessed with protecting itself from a possible invasion that showcasing what could happen by putting weapons in the hands of citizens was a common theme in programming. Most of our superheroes were built on the basis of propaganda, and Superman was no exception whatsoever as he was designed to be an all-American hero who our country needed. Nothing could stop him and he had none of the weaknesses of our citizens — least of all our villains. No bullet could stop Superman, but you saw how every other human being fled and lived, gripped in fear, by these people overrunning Metropolis simply for monetary gain.
The “Bulleteers” were a simple group of men who dressed in hooded pajamas and had a wealth of ammunition at their disposal. Their vehicle was a bullet-shaped car that could become a plane easily enough and dive through the skies to evade capture. Toward the end of the episode, Superman saves the day and Clark quietly applauds Lois on another “scoop.” You would think this woman would be a battered, emotional wreck by now because of all of the trauma she has endured, but no. Fancy that, right?
Opening up with a story about an island inhabited by a deadly volcano that lay dormant (We all know what’s going to down here, right? Good.), automatically Lois snatches up the press passes to stop Clark from getting the “scoop” that is obviously meant for her. If you didn’t hate her before this episode, “Volcano” is when you just want to throttle her for good. You watch as Clark bumbles around this town to find a press pass to replace the one that Lois purposely hid. What does this mean? This means he will not have access to save her immediately when the volcano starts spewing hatred and fireballs up into the heavens to rain down to the city below. You would think, really, toward the end that she will apologize — maybe just once — for the trouble she has caused.
Again, the animation is on point here and the colors still amaze me. Lava pours down, hungrily swallowing and destroying everything in the path toward the town. What does Superman do? Derails it toward the ocean and everything is safe again. As Lois and Clark float back to Metropolis, Lois lies to Clark once more even as he snatches up the pass that Lois hid from him.
Why do we keep letting her live?
So those are three of my favorite episodes of the 1940s Superman cartoons. I left out one episode that I find historically fascinating called “The Japoteurs” because it was released when hatred for the Japanese among Americans was at its peak. Even though it is racially insensitive, it speaks about the climate at the time and just how studios would use their beloved characters (Bugs Bunny, Donald Duck, Popeye, etc.) to keep morale high while spirits were low during the war. If you ever feel the need to watch and study the intricate ways in which animators displayed their patriotism in that very, very insensitive era, just YouTube “The Japoteurs” and watch the episode. There is a heavy amount of WWII propaganda animation open to the public and I always find it so interesting to see how far we’ve come through the decades.
I bet you’re thinking “Why? Why animation? Why Superman?” and it’s quite simple: This is back when animation was an expression and not a money-grabbing studio ploy. I think I will always love animation from the early part of the 1900s and on because it was art! Back during the Golden Era of Warner Brothers and Disney, animation was about entertainment, no matter the age, and it held a maturity that lasted well into our current iteration of media. Now, you have shows such as Spongebob, Phineas and Ferb, and (sigh) My Little Pony, which are brief, sugar-coated bits of hyperactivity that are meant to sell toys, illicit brightly-colored excitement, and then fade off into the ether 10 years from now. Now I’m not saying these aren’t relevant whatsoever because, even as a child I, myself, enjoyed branded cartoon series, but I hold the historical and mature animation to be my all-time favorite.
If you were to ask my child what she remembers watching when she was still in the single digits, she’d tell you that she watched Studio Ghibli films, Japanese dubbed children’s animation, and older shows like Superman, Thundercats, Walt Disney, and Warner Brothers classics and staples like Transformers and Jem. Why? Because these were either silly and brief tidbits of history, or they were animated shows that had actual storylines. Back when I was a kid, it was rare that animation talked down to us and expected us to have no attention spans whatsoever.
Try it out! For the parents out there, indulge your younger kids into episodes of television from you grew up and find out how quickly they will choose heavily scripted, episodic cartoons over the exploits of an underwater household sponge. When they end up asking for a DVD collection of Thundercats or Voltron for their birthdays, tell them Auntie Candice loves them and to brush their teeth before they can watch more Superman cartoons with their parents.
Note: All of these episodes listed were compiled by YouTube user “wilkinsongrj,” and I appreciate the high quality in which he uploaded them! Thanks so much!
We are witnessing the renaissance of the cheap printed t-shirt. Spawned perhaps, by the success of the Abercrombies and Aeropostales of the world hawking their high-margin (and often) lowbrow har-hars, micro boutique t-shirt Web sites are popping up like mad. And why not? It’s never been easier to print t-shirts and launch a not so haute line of couture. Yes indeed, you too can go into the t-shirt printing business…